Sunday, November 20, 2011

SAND CASTING


Sand casting is done in a mold composed of fine casting sant. The sand used is very fine. The sand is mixed (tempered) with of a glycerin to hold it together.
The sand is packed into a flask. The flask has two parts: one with pins, the drag; one with holes to receive the pins, the cope. Packing is best done on a flat shed of metal or marble called the mold surface.

Procedure : When packing the flask, first place a half round piece of rod or a piece of tubing cut in half on the steel or marble surface. Place the cope section of the flask, hole side down, so that the half round piece is in the center.
Now pack the sand firmly into the cope, first with your finger, especially in the corners, and then lightly with a hammer. Smooth the sand by running a flat piece of steel over the top of the cope.
Turn the cope over and remove the half round piece of metal. Piece the ring to be cast on a round rod. The rod length should be slightly shorter, than the length of the half round piece. Now place the ring an rod over the depression in the sand formed by removing the half round piece. The top of the ring should be up, and the shank down. Push the shank and the rod down into the sand until the rod is halfway down.
Dust a very light layer of powder, over the sand and the ring. Talc powder may used. It is best to keep the powder in a small, semi porous cloth bag. By tapping the bag lightly it is easy to spread a think, even layer of powder. The powder acts as a separator, that is, it prevents the sand in the drag from sticking to the sand in the cope.
Now place the drag part of the flask on the cope, sieve some sand into it and finally pack it entirely with sand and smooth the top.
The flask must now be separated and the model ring removed. To separate tap the sides of the flask lightly with a hammer to vibrate the model and thus release adhering sand from it. Then slowly lift the drag from the cope and remove the model ring. A sharp impression of the ring should remain in the sand.
A core a round piece of sand the same diameter as the rod the ring fits on – must be made. It is made by packing sand into a small tube with the same inside diameter as the outside of the rod. Push the packed sand out of the tube with a rod.
A sprue opening and gate is formed so that the molten metal may be poured into the flask. The easiest way to do this is to take the back of a needle file and push it through the sand from the shank impression side of the cope.
Finally, with a scriber, scratch several light lines from the ring impression to the edge of the flask in order to permit the air to escape from the hollow ring impression in the sand when the molten metal enters.







The metal may be melted in a furnace crucible. The weight of the required metal can be determined by weighing the model and then adding a little extra metal to this weight. When melting the metal add a little borax to keep it from oxidizing. Pour the molten metal as quickly as possible into the gate in the sand. The flask can be opened almost immediately to remove the cast ring.
The finest castings are obtained from dried, water tempered sands. After the flask has been assembled it is baked over a gas stove until all the moisture in the sand evaporates. Where as a wet sand will from steam when the molten metal enters and the steam will interfere with the casting, a dry sand will not and therefore a better casting can be had. A good castings can be obtained by merely heating the sand for a moment or two before the flask is assembled.

Jewellry Making

Although contemporary jewelry making has moved beyond the level of hand craftsmanship. The first way of working metal is cut or shape the metal when it is  “cold”. The metal can be cut, sawed, bent, filed, hammered, stamped, forged, pressed, or drawn into the desired shape. The second method is to heat the metal until it is molten, and then cast it into a mold. The mold can be made of a higher melting metal, rubber, sand clay a refractory investment, or a cuttle fish. The third method involves the addition, or joining, of metal to metal by means of solder, granulation, fusing, rivets, links, or chains. Most of the more complex pieces are constructed by using combinations of the above processes. After the metal has been fabricate, it may be decorated by chasing, engraving, inlaying, etching, enamelling, reticulating, plating or electro-forming; set with gemstones; or combined with other meals and materials.
Regardless of the processes and techniques used to make jewellery, the design is of utmost importance. Before attempting to construct a piece of jewellery, a sketch should be made, and all of the processes needed to complete the piece should be studied, understood and practised. 

I will write a blog on some basic jewellery making techniques in my next blog.

Diamond

Diamond is the most precious and rare in all the gemstones. Due to its rarity and beauty it is very expensive then other gemstones. The cost is depending upon the 4 c's which provide a standard for evaluating diamonds :  








Colour : Diamonds can cover the entire spectrum of colours. The majority range from a perceptible yellow or brownish tint up to the very rare diamonds described as colourless. Colourless diamonds are the most desirable since they allow the most refraction of light (sparkle). Off white diamonds absorb light, inhibiting brilliance. You can best observe diamond colour by placing the stone table side up on a flat white surface or grading trough, and examining it from different angles. Next, place it table-side down with the culet facing you, and examine it from different angles. Next, place it table-side down with the culet facing you, and examine it through the pavilion facets. 

Cut : Cut has the greatest influence on the diamonds fire and brilliance. A round, brilliant-cut diamond has 57 facets. When well proportioned, this shape best shows the stones brilliance because

Navratan - Nine Gemstones


Gemology is the science of those minerals and other materials which posses sufficient beauty and durability to make them desirable as gemstones. It is concerned with the identification, grading, evaluation, fashioning, and other aspects of gemstones. In this project I personally learned about varied gemstones, diamonds and gem minerals which are of great importance in jewellery trade and industry. 

 NINE GEMSTONES

 

 Diamond: It is the most precious and rare, gemstone. Most attractive to the eye, the diamond is famous for its play of colours: It is the most hardest gemstone. A fine diamond is radiant & delightful. It has a self luminous quality of a clear crystal. 

Diamond is a gemstone for the planet "Venus". 




Emerald: This gemstone is rare because it is very difficult to find a flawless emerald. Aquamarine, morganite goshenite & heliodor are also members of the beryl family (Emerald is a member of beryl family) and have same chemical constituents, except from chromic oxide which gives emerald green colour.

Emerald is a gemstone for planet "Mercury". 

Thursday, September 29, 2011

WAX MODELLING







As the name suggest the process of wax modeling beings with creations of an original model.
Original models for casting can be made of either metal of wax. Metal models are usually made by commercial jewelers who need to make duplicate castings from was models produced from rubber models. Wax models are usually used by jewelers who either produce one of a kind jewelry pieces or as the original model for a metal model.
The advantage of using wax to create a model is that wax is relatively pliable and soft and thus can be easily worked. Wax model making therefore offers a wide range of design possibilities. We can obtain textures and shapes in a wax model that could never be achieved if the design were made in metal.
Commercial waxes are available in various colours, hardness and shapes. The colour is usually indicative of the different working characteristics of each was and hardness. Tube waxes can be used to quickly create a basic ring shape. 


WORKING WITH WAX: Design can be achieved by using different manufacturing techniques such as cutting, carving, engraving, sawing or drilling. Various texture can be applied to the surface of wax model by means of a hot needle, spatula, knife edge or carving tools. A rough texture can be applied by rubbing the wax model with a fine wire brush.

Monday, January 3, 2011

Gold and Silver Metallurgy

Knowing composition of Gold and Silver is very important if you wish to have knowledge about Jewellery.

Gold
Atomic No.   = 79
Atomic Symbol = Au
Atomic Mass = 197 amu
Melting point = 1060° C

24K Gold      = 100%
22K Gold      =  91.6%
20K Gold      =  83.3%
18K Gold      = 75%
14K Gold      = 58.3%
 8K Gold       = 34%
 9K  Gold      = 20% Ag + 10%Zn + 30%Cu(Zn lightens the colour to pale yellow)
             Or
                     = 10%Ag + 20%Zn + 40%Cu + 30% Au (Cu makes the colour darker)
Types of Gold
Pink Gold       =  75% Gold  :  25% Cu
Green Gold    =  75% Gold  :  25%
Blue Gold      =  75% Gold  :  25% Fe
Hardness increases, Melting pt.
White Gold    =  75% Gold  :  25% Pd(Palladium)
Earlier Zn and Ag were used but now Pd is used because it gives a better finish. Nickel was also used  in white Gold but it develops allergy



Alloy = W(K1 – K2) / K2

W = Weight of gold
K1 = Previous caratage
K2 = Wanted caratage



Silver
Atomic No.   = 47
Atomic Symbol = Ag
Atomic Mass = 107 amu
Melting point = 960° C
 
Borax       : Sodium tetraorate (Na2B4O7)    (Flux)
Nitric Acid : ( HNO3) ( Purification of gold)
Sulphuric Acid  : (H2SO4) ( Cleaning of Ag, Au, Cu)
Hydrochloric Acid  : (HCl)  ( To dilute Enamel/meena)